
Toy Story
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.

First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.

The four-minute marriage montage is the most devastating thing Pixar has ever done, and it is wordless: after that, an old man flies his house away on balloons.

Still the highest grossing hand-drawn film ever made: Disney sent a young cub into exile with a Shakespeare plot, and the opening sunrise raises the hair every time.

Disney mortgaged his own house to make the first cel-animated feature, and the industry called it his folly: the queen's transformation still frightens small children exactly as intended.

Pixar took a third film in a series somewhere nobody expected it to go: the toys end up far from a toy box, and the last act is genuinely harrowing.

The peak of the Disney Renaissance, and the moment computers earned a place in hand-drawn animation: the ballroom sequence still looks like nothing anyone had done before.

Pixar scrapped the whole film and rebuilt it in nine months, and it came out better than expected: the song about being outgrown is what people remember.

Robin Williams improvised for hours and the animators drew to whatever he gave them: the Genie is still the fastest thing in any Disney film, and every animated star cast since owes him.

Disney's renaissance starts here: Howard Ashman and Alan Menken wrote the songs like Broadway numbers, and the studio remembered how to make an animated musical that adults would sit through.