
Spirited Away
The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

Nobody recommends this one lightly: Takahata put two children through the last months of the war in Japan, and being animated makes it harder to bear, not easier.

Children's films almost never dare to have no villain: Miyazaki made eighty minutes of pure safety out of two sisters and a forest spirit, and it became Ghibli's emblem.

It held the Japanese box office record until Titanic arrived: Miyazaki staged a war between an iron town and the forest gods and refused to name a villain.

Miyazaki announced his retirement with it, a retirement he later took back: a young man designs beautiful aircraft that become weapons, and nothing about that is resolved.

Miyazaki's most beautiful machine is a walking house held together by magic and bad temper: underneath the wonder is an angry anti-war film, made while he watched the invasion of Iraq.