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Film · 1950 · Jidaigeki

Rashomon

Directed by Akira Kurosawa
1950
Japan
★ 9.1 editorial score

Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.

“The genius of "Rashomon" is that all of the flashbacks are both true and false. True, in that they present an accurate portrait of what each witness thinks happened. False, because as Kurosawa observes in his autobiography, "Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing."”
— Roger Ebert · rogerebert.com

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