The Garden of Earthly Delights
1505 · El Prado, Madrid
Three panels run from Eden to hell, with a whole naked humanity climbing into giant fruit in between. Nobody has settled what it means.
★ 10.0
Browse by time · decade
1500s
1500 – 1509
Showing 30 works across all media from the 1500s
Mona Lisa
1504 · Louvre, Paris
She was probably Lisa Gherardini, a merchant's wife, and Leonardo kept reworking her for years and never handed the portrait over.
★ 9.9
David
1504 · Galleria dell'Accademia (Florence), Florence
The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.
★ 9.6
The Tempest
1508 · Gallerie dell'Accademia, Venice
A soldier, a nursing woman, and lightning over the town beyond. Nobody has explained what connects them, and Giorgione died young leaving few certain works.
★ 8.6
Self-Portrait (Durer)
1500 · Alte Pinakothek, Munich
Dürer faced himself head-on in a pose reserved for images of Christ, and wrote across the panel that he had painted it at twenty-eight.
★ 8.1
Portrait of Doge Leonardo Loredan
1504 · National Gallery, London
Bellini painted the brocade thread by thread and turned the official portrait from a profile on a coin into a man met face to face.
★ 7.4
Madonna of the Rocks 2
1505 · National Gallery, London
The second version, painted to settle a long quarrel with the confraternity. Everyone now has a halo and the angel has stopped pointing.
★ 7.4
Young Hare
1502 · Albertina, Vienna
Every whisker set down separately, and in the dark eye a studio window is reflected. Dürer signed an animal study as a finished work.
★ 7.3
The Temptation of Saint Anthony (Bosch)
1505 · Museu Nacional de Arte Antiga, Lisbon
Flying fish, reading toads and a burning village, and in the middle of it Anthony kneels and blesses a small Christ, entirely undistracted.
★ 7.2
Adam and Eve (Durer)
1504 · Metropolitan Museum of Art, New York City
Cat, mouse, rabbit, ox and elk stand for the temperaments held in balance, and the cat is about to pounce.
★ 6.8
Praying Hands
1508 · Albertina, Vienna
A study for an altarpiece that later burned, so the drawing has outlived the painting it was made to serve.
★ 6.8
Portrait of Agnolo Doni
1506 · Palazzo Pitti, Florence
Raphael had just arrived in Florence and studied the Mona Lisa hard, then did the same pose in clear light instead of smoke.
★ 6.7
Festival of the Rose Garlands
1506 · Narodni Galerie, Prague
Dürer painted it in Venice to prove a German could beat the Venetians at color, and wrote on it that it took five months.
★ 6.6
Head of a Woman (La Scapigliata)
1508 · Galleria Nazionale di Parma, Parma
Her face is finished and breathing while the hair around it stays loose scribble, and nobody knows whether Leonardo considered it done.
★ 6.5
Ship of Fools
1500 · Louvre, Paris
A monk and a nun bawl a song over a lute while somebody vomits over the side. The boat has no rudder, which is the point.
★ 6.3
The Mocking of Christ
1505 · Alte Pinakothek, Munich
Blindfolded and beaten while pipers play to make a show of it. Everything Italy was perfecting at that moment, Grünewald wanted none of.
★ 6.1
Death and the Miser
1500 · National Gallery of Art, Washington, District of Columbia
Death comes through the door while an angel points to the crucifix and a demon offers one more bag of gold. The man has not chosen.
★ 5.9
The Entombment (Michelangelo)
1500 · National Gallery, London
Bare priming still shows where the Virgin was meant to sit. Michelangelo probably set it aside to go back to Florence and carve the David.
★ 5.6
The Holy Family with a Lamb
1507 · El Prado, Madrid
The Child sits astride a lamb, which is the sacrifice, and Raphael took the interlocking group straight out of Leonardo.
★ 5.6
St. John the Evangelist on Patmos
1500 · Berlin State Museums, Berlin
The lyrical Bosch, all calm light and wide landscape, except for the small insect-demon with a human face tending a fire in the corner.
★ 5.4
Allegory of Gluttony and Lust
1500 · Yale Art Gallery, New Haven
A man rides a wine barrel while swimmers chase a floating pie. It was sawn off the bottom of the Ship of Fools.
★ 5.2
The Little Owl
1506 · Albertina, Vienna
Owls carried centuries of symbolism in the north, but Dürer's is mostly just an owl, looking back at you with its talons over a ledge.
★ 5.2
Martyrdom of the Ten Thousand
1508 · Kunsthistorisches Museum, Vienna
Thousands are clubbed and thrown off cliffs, and Dürer paints himself walking calmly through the middle of it holding a banner with his name.
★ 5.2
Lamentation of Christ (Durer)
1500 · Alte Pinakothek, Munich
The tiny kneeling figures in the corners are the Nuremberg family who paid for it, inserted so they could share in the grief.
★ 4.8
Madonna and Child (Perugino)
1500 · Detroit Institute of Arts, Detroit
The oval face, the lowered eyes, the Umbrian distance melting into air. Raphael took all of it and then went past it.
★ 4.8
The Annunciation (David)
1506 · Metropolitan Museum of Art, New York City
This is only the angel. Mary received the message on a companion panel, and the two now hang together as a pair.
★ 4.8
Letter to Dona Juana de Torres, October of 1500 · 1500
1503
Ave Maria
1502
The printer Ottaviano Petrucci issued it in 1502, in the first book of polyphony ever set in movable type. Four voices enter one at a time.
★ 3.3