
Critique of Judgment
Beauty sits in no object, yet you expect everyone to agree with you. Kant grounds that strange demand, and shows why a raging ocean enlarges the person watching it rather than crushing him.

Beauty sits in no object, yet you expect everyone to agree with you. Kant grounds that strange demand, and shows why a raging ocean enlarges the person watching it rather than crushing him.

Rasmussen teaches you to feel a building before you name its style: the hardness a child finds bouncing a ball off a wall, Rome's Spanish Steps descending in the rhythm of a polonaise.

Classical architecture is a language, Summerson argues, and the five orders are its grammar. He takes you from Roman temples to Baroque churches and shows what any columned facade is actually saying.

Beauty and utility generate each other, Paul Rand argues, and the designer's job is fusing idea with image. He pulled European modernism into American advertising and made the trade take design seriously.