
Primavera
Venus stands in an orange grove while the Graces dance and spring arrives at her right. The meadow holds hundreds of identifiable plants.

Venus stands in an orange grove while the Graces dance and spring arrives at her right. The meadow holds hundreds of identifiable plants.

Venus arrives on a scallop shell in a fall of roses, painted on canvas at a time when almost everyone still worked on panel.

The earliest surviving painting built on a single vanishing point, worked out on a wall of Santa Maria Novella with Brunelleschi's help.

A naked boy in boots and a laurel hat rests one foot on Goliath's head, the first freestanding bronze nude since antiquity.

Three moments run in a single frame: the tax demanded, Peter pulling the coin from a fish, and Peter paying up at the right.

Ghiberti gave twenty-seven years to these doors, and the name comes from Michelangelo, who is supposed to have said they were fit for paradise.

Eve throws back her head and howls while Adam hides his face, the bodies heavy and casting real shadows. Michelangelo came to study it.

Cecilia Gallerani turns as if someone has come in, and the ermine turns with her. It was her patron's emblem and a pun on her name.

Christ is scourged in the middle distance while three men talk in the foreground, indifferent. Nobody has settled who they are or why.

The trees behind Christ turn from bare to leafing across the panel. In 1944 a British officer held his guns rather than shell the town.

Fra Angelico frescoed it at the top of the dormitory stairs, so the friars met it every time they climbed to their cells.

Francis steps barefoot from his hermitage into a light coming from the left, and Bellini gives him no seraph and barely any wounds.

Leonardo painted this cave twice after falling out with the patrons. This is the earlier version, the one that stayed in France.

An ostrich egg hangs from the vault and pulls every sightline down. Federico is shown from the left because a tournament took his right eye.

Gabriel bows to Mary under the loggia while Adam and Eve are driven out of the garden at the left, the sin this undoes.

The saints share one continuous space instead of separate compartments, and the two kneeling physicians are the name-saints of the Medici who paid.

No angel, no dove, no lily. Mary looks up from her book straight at us, because we are standing where Gabriel ought to be.

The old man's nose is swollen and ruined by disease, and the boy looks up at him without noticing it at all.

An early work, and Mary's right arm reaches further than an arm can. Gabriel's wings were studied from a real bird.

A juniper bush stands behind her as a pun on her name. The panel was later cut down at the bottom, taking her hands with it.