
The Garden of Earthly Delights
Three panels run from Eden to hell, with a whole naked humanity climbing into giant fruit in between. Nobody has settled what it means.

Three panels run from Eden to hell, with a whole naked humanity climbing into giant fruit in between. Nobody has settled what it means.

Venus stands in an orange grove while the Graces dance and spring arrives at her right. The meadow holds hundreds of identifiable plants.

A winged figure sits with her compass idle among abandoned tools, and no print in history has drawn more scholarly argument.

Gauguin thought he was dying and meant this to be his last work, reading right to left from a sleeping infant to an old woman.

The emperor hands a book to a Sufi and ignores the kings waiting below, one of them James I, copied from an English portrait.

A man bangs his head on a brick wall, another casts roses before swine, and over a hundred proverbs are acted out literally in one village.

The whole panel is a giant eye, with Christ in the pupil and the words Beware, beware, God sees. It was made for a tabletop.

Death stands at the left in a patterned robe holding a club, watching a heap of sleeping people who have not noticed him.

Hicks was a Quaker preacher and sign-painter who returned to Isaiah's prophecy about sixty times. Penn signs his treaty in the background.

A monk and a nun bawl a song over a lute while somebody vomits over the side. The boat has no rudder, which is the point.

Death comes through the door while an angel points to the crucifix and a demon offers one more bag of gold. The man has not chosen.

A man rides a wine barrel while swimmers chase a floating pie. It was sawn off the bottom of the Ship of Fools.