The Embarkation for Cythera
1717 · Louvre, Paris
Couples linger on the shore of Venus's island at dusk, unwilling to board. Watteau gave it to the Academy, which invented a genre to fit it.
★ 8.3
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Pierrot, Formerly Known as Gilles
1719 · Louvre, Paris
A clown in white satin stands alone at full length with his arms hanging useless, given the scale of a grand portrait.
★ 7.6
The Swing
1767 · Wallace Collection, London
An old man works the ropes without knowing the young man in the bushes is looking straight up her skirts. A slipper flies off.
★ 7.6
A Young Girl Reading
1776 · National Gallery of Art, Washington, District of Columbia
For once Fragonard is not being naughty. A girl in yellow reads, and the ruff at her wrist is a few flicks of impasto.
★ 6.9
Mezzetin
1720 · Metropolitan Museum of Art, New York City
He sings up at a window and nobody comes, while behind him a stone statue has its back turned.
★ 6.8
Mademoiselle O'Murphy
1751 · Wallraf-Richartz-Museum, Cologne
Louise O'Murphy was a teenage favorite of Louis XV, and Boucher painted her face-down across the cushions for private consumption.
★ 6.1
The Road to Calvary (Tiepolo)
1740 · Sant'Alvise, Venice
Even the Passion gets Tiepolo's airy color and snapping banners, the whole shoving procession swept upward toward Golgotha as theater.
★ 6.1
The Meeting
1772 · The Frick Collection, New York City
He is coming over the garden wall and she has just seen him, with a statue of Venus watching from above. Painted for Madame du Barry.
★ 6.1
The Birth and Triumph of Venus
1740 · Nationalmuseum, Stockholm
Venus in a pearly sea with nymphs, tritons and putti all around, made entirely to delight and not at all to instruct.
★ 5.2
The Guitarist
1755 · Musee d'Arts Nantes, Nantes
A young man glances up from his guitar mid-song. Greuze usually painted tearful moral lessons, and here he simply does not.
★ 4.2