
The Last of the Buffalo
Bierstadt painted this vast hunt as the herds were nearing extinction, with skulls and bones already lying across the foreground.

Bierstadt painted this vast hunt as the herds were nearing extinction, with skulls and bones already lying across the foreground.

Ascanius draws his bow on a tame stag, the shot that starts a war in the Aeneid, and Claude paints it as a calm golden evening.

Horses, lions, spears and men knotted into one turning mass, with a rider already thrown and about to be mauled.

Red-clad hunters and dogs funnel into a black wood toward a single vanishing point. One of the earliest night scenes on an Italian panel.

The king kills lions released into an arena to prove he can protect his people, and the dying animals are carved with startling tenderness.

Three hunters come home over the hill with one thin catch while villagers skate below. Bruegel painted it for a series on the months.