Sunday
1890 · Private collection
He stares out the window, she pokes the fire, and the dots are used here for boredom rather than sunlight.
★ 4.8
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Breakfast
1887 · Kroller-Muller Museum, Otterlo
A family at breakfast, posed so stiffly in the glare that the comfortable room turns faintly airless. Every surface is built from dots.
★ 5.2
The Meeting
1772 · The Frick Collection, New York City
He is coming over the garden wall and she has just seen him, with a statue of Venus watching from above. Painted for Madame du Barry.
★ 6.1
Boating
1874 · Metropolitan Museum of Art, New York City
Manet painted this beside Monet at Argenteuil and let the blue water climb all the way to the top edge of the canvas.
★ 6.3
Garden at Sainte-Adresse
1867 · Metropolitan Museum of Art, New York City
Monet's own father sits among the gladioli on a terrace, and the young painter tips the space up in flat bands like a Japanese print.
★ 6.6
The Moneylender and His Wife
1514 · Louvre, Paris
He weighs gold on a fine balance and her eyes drift off the prayer book toward the coins. A small mirror catches the room.
★ 6.7
Wedding Portrait of Isaac Massa and Beatrix van der Laen
1622 · Rijksmuseum, Amsterdam
A married couple sitting on the grass, leaning into each other and visibly amused, which is not how marriage portraits were done.
★ 6.8
Room in New York
1932 · Sheldon Museum of Art, Lincoln
He reads the paper, she touches one key of the piano, and we are watching from the street through their window.
★ 6.8
American Gothic
1930 · Art Institute of Chicago, Chicago
Wood posed his sister and his dentist in front of a farmhouse window, and people have argued ever since whether he meant tribute or mockery.
★ 8.3
The Kiss (Klimt)
1908 · Galerie Belvedere, Vienna
Two lovers kneel wrapped in a single gold robe, rectangles patterning his side of it and circles hers, on a meadow of flowers.
★ 8.9
Portrait of Giovanni Arnolfini and his Wife
1434 · National Gallery, London
A couple joins hands in a Bruges bedroom, and the mirror behind them catches two visitors at the door. Van Eyck signed the wall above it.
★ 9.1