The Last Supper (Bouveret)
1896 · Private collection
The light in the darkened room seems to be coming off Christ himself, painted when religious art had largely gone out of fashion.
★ 4.0
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Woman Before a Mirror
1876 · Guggenheim, New York City
A woman in a white corset seen from behind, painted so loosely the picture seems to stop just before the image settles.
★ 5.2
Le Sommeil
1866 · Petit Palais, Paris
Two women asleep and entwined, painted on private commission and therefore out of reach of the Salon and its proprieties.
★ 5.4
Prisoners from the Front
1866 · Metropolitan Museum of Art, New York City
A Union officer faces three captured Confederates and the two halves of the country study each other. Homer had covered the war as an illustrator.
★ 5.6
Woman with a Parrot
1866 · Metropolitan Museum of Art, New York City
Courbet took the nude to the Salon with her hair loose, her body relaxed, and a parrot on her hand instead of a myth.
★ 5.7
Races at Longchamp
1867 · Art Institute of Chicago, Chicago
The horses come straight at you instead of across the frame, which nobody painting racehorses had bothered to try.
★ 5.7
Dempsey and Firpo
1924 · Whitney Museum of American Art, New York City
Firpo has just punched Dempsey clean out of the ring and into the laps of the reporters. Bellows painted the exact instant.
★ 6.1
Boating
1874 · Metropolitan Museum of Art, New York City
Manet painted this beside Monet at Argenteuil and let the blue water climb all the way to the top edge of the canvas.
★ 6.3
The Cotton Pickers
1876 · LACMA, Los Angeles
Two young Black women in a cotton field a decade after emancipation, given a gravity American painting had not extended to field labor.
★ 6.5
The Veteran in a New Field
1865 · Metropolitan Museum of Art, New York City
A Union jacket lies discarded in the corner while the man who wore it swings a scythe through wheat, which is the whole point.
★ 6.7
The Balcony
1868 · Musee d'Orsay, Paris
Three people at a green railing all looking different ways and none at each other. Berthe Morisot is the one seated and dreaming.
★ 6.8
Snap the Whip
1872 · Metropolitan Museum of Art, New York City
Barefoot boys crack the whip outside a red schoolhouse and the last one is already stumbling. Painted just after the Civil War.
★ 6.9
L'Origine du Monde
1866 · Musee d'Orsay, Paris
Too explicit to exhibit for over a century, it stayed in private hands behind curtains and screens. No myth, no excuse, just the body.
★ 6.9
Breezing Up (A Fair Wind)
1876 · National Gallery of Art, Washington, District of Columbia
A man and three boys heel a catboat over into open water, painted in the centennial year and read ever since as the country's optimism.
★ 7.2
L'Absinthe
1876 · Musee d'Orsay, Paris
Two people sit shoulder to shoulder at a cafe table staring at nothing, pushed off to one side behind a run of empty tables.
★ 7.3
The Gross Clinic
1875 · Philadelphia Museum of Art, Philadelphia
The surgeon turns from the open incision to lecture, scalpel still bloody, while a woman at the side covers her eyes. Philadelphia was appalled.
★ 7.5
Madame X
1884 · Metropolitan Museum of Art, New York City
The strap fell off her shoulder in the 1884 version, Paris was scandalized, her family demanded it come down, and Sargent repainted the strap.
★ 8.0
Whistler's Mother
1871 · Musee d'Orsay, Paris
Whistler called it Arrangement in Grey and Black and insisted it was about tone, not feeling. The sitter was his mother, and nobody was fooled.
★ 8.0
The Gleaners
1857 · Musee d'Orsay, Paris
Three women bend for the stalks left after harvest while a full farm sits small in the distance, which unsettled the people buying paintings.
★ 8.2
A Burial at Ornans
1850 · Musee d'Orsay, Paris
Courbet gave an ordinary village funeral the scale reserved for kings and saints, and the critics were furious about it.
★ 8.3