
Ecce Homo (Matsys)
Christ stands with his eyes lowered while the faces around him are twisted into snarls. Matsys made ugliness do the moral work.

Christ stands with his eyes lowered while the faces around him are twisted into snarls. Matsys made ugliness do the moral work.

Even the Passion gets Tiepolo's airy color and snapping banners, the whole shoving procession swept upward toward Golgotha as theater.

The table runs off on a steep diagonal into a smoky hall where servants clear plates and the lamp smoke thickens into angels.

Twelve meters of wall where the whole business of execution goes on at once, one thief still being hauled upright at the side.

Titian was barely thirty when Venice saw this go up over the Frari altar, the Virgin swept into a storm of red and blue.

A soldier, a nursing woman, and lightning over the town beyond. Nobody has explained what connects them, and Giorgione died young leaving few certain works.

Leonardo fixed Vitruvius's old problem by moving the centers, so that the navel governs the circle and the groin governs the square.