
Golgotha
Munch painted this while under treatment in a clinic, and the crucified figure hemmed in by leering faces is not hard to read.

Munch painted this while under treatment in a clinic, and the crucified figure hemmed in by leering faces is not hard to read.

One puff of steam drifts across a curving shoreline, the modern world putting a small mark on a landscape that had none.

A sallow green face fills the front of the picture while behind him a woman in red picks fruit beside another man. He is imagining it.

A man broods on the shore while a couple boards a boat far off, and the curving coastline carries the whole mood by itself.

The same bridge and the same burning sky as the Scream, but with a whole crowd coming toward you instead of one figure.

Munch gave the Madonna a red halo, closed eyes and parted lips, and made desire and death the same subject.

A woman in white waits, a woman in red dances, a woman in black stands apart. Three ages of love on a midsummer shore.

Munch said an infinite scream was passing through nature, and put two figures on the bridge behind who walk on without noticing.