The Entombment (Michelangelo)
1500 · National Gallery, London
Bare priming still shows where the Virgin was meant to sit. Michelangelo probably set it aside to go back to Florence and carve the David.
★ 5.6
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Rebellious Slave
1513 · Louvre, Paris
Carved for a papal tomb that kept shrinking until it was abandoned. What the bonds mean is still argued, but the strain is unmistakable.
★ 6.7
The Deposition (Michelangelo)
1553 · Museo dell'Opera del Duomo (Florence), Florence
Michelangelo carved it for his own tomb, gave Nicodemus his own face, then took a hammer to it and broke off Christ's leg.
★ 6.9
The Fall of Man
1510 · Vatican Museums, Rome
Two moments in one field: Adam and Eve reaching for the fruit, then driven out, suddenly old. The serpent has a woman's torso.
★ 7.8
Moses
1515 · San Pietro in Vincoli, Rome
The horns come from an old mistranslation of the Hebrew for rays of light. He was meant as one figure among many on a papal tomb.
★ 8.0
The Last Judgment (Michelangelo)
1541 · Vatican Museums, Rome
Bartholomew holds his own flayed skin, and the sagging face on it is Michelangelo's. The nudes offended enough critics that drapery was added later.
★ 8.9
Pieta (Michelangelo)
1499 · Vatican Museums, Rome
The dead Christ lies across his mother's lap. Michelangelo was twenty-four, and signed the sash after hearing it credited to someone else.
★ 9.3
David
1504 · Galleria dell'Accademia (Florence), Florence
The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.
★ 9.6
Creation of Adam
1512 · Vatican Museums, Rome
God surges out of a red cloak full of angels, and Michelangelo leaves the fingers not quite touching. The gap does the work.
★ 9.7