
The Sermon on the Mount
Painted on the wall of a friar's cell at San Marco, stripped of gold and ornament so that it settles the mind rather than dazzles.

Painted on the wall of a friar's cell at San Marco, stripped of gold and ornament so that it settles the mind rather than dazzles.

Christ stands to place the host on each tongue exactly as a priest does at Mass, in a bare cell-like room with stools.

A corridor of opened graves runs down the middle, the saved dancing into a garden on the left, the damned driven into fire on the right.

Fra Angelico inherited a Gothic frame begun years earlier and filled it with deep sunlit space instead of gold, which is the whole story.

Christ crowns his mother at the top of a flight of steps that recede convincingly into depth, which is the new thing here.

The saints share one continuous space instead of separate compartments, and the two kneeling physicians are the name-saints of the Medici who paid.

Gabriel bows to Mary under the loggia while Adam and Eve are driven out of the garden at the left, the sin this undoes.

Fra Angelico frescoed it at the top of the dormitory stairs, so the friars met it every time they climbed to their cells.