Conversion on the Way to Damascus
1601 · Basilica of Santa Maria del Popolo, Rome
The horse and the groom take up most of the canvas and neither notices anything. The miracle happens entirely inside the man on the ground.
★ 5.4
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
Ecce Homo (Caravaggio)
1605 · Palazzo Rosso, Genoa
Three figures in a shallow dark box, and Caravaggio puts you where the crowd stood, having to decide what to do with him.
★ 5.7
Saint Jerome Writing
1606 · Galleria Borghese, Rome
Jerome reaches across the table for the inkpot with a skull holding down his papers. Scholarship as physical labor, in a single hard light.
★ 5.7
The Fortune Teller (Caravaggio)
1595 · Louvre, Paris
She reads his palm and takes the ring off his finger while she does it, and he is too busy looking at her to notice.
★ 6.1
The Sacrifice of Isaac
1603 · Uffizi Gallery, Florence
Isaac is shouting under his father's hand and the ram has already arrived at the right. Caravaggio gives the scene no ceremony whatsoever.
★ 6.3
Boy with a Basket of Fruit
1593 · Galleria Borghese, Rome
Fruit already spotting toward rot, painted with the same attention as the boy holding it. An early statement of what Caravaggio intended.
★ 6.6
The Cardsharps
1594 · Kimbell Art Museum, Fort Worth
One boy has a card hidden behind his back and his older partner signals the count on his fingers. It got Caravaggio his first patron.
★ 6.8
Narcissus
1599 · Galleria Nazionale d'Arte Antica, Rome
Narcissus and his reflection close into a circle around a band of black water, and nothing else exists in the picture.
★ 6.8
Bacchus
1595 · Uffizi Gallery, Florence
A real Roman boy dressed up as the wine god, heavy-lidded and slightly flushed, holding out a glass while the fruit beside him bruises.
★ 7.3
Medusa
1597 · Uffizi Gallery, Florence
Painted on a convex parade shield, so the head bulges toward you at the exact instant of the scream. A showpiece gift for the Medici.
★ 7.3
Basket of Fruit
1599 · Biblioteca Ambrosiana, Milan, Italy
The leaves are curling and worm-eaten and the fig has burst. Caravaggio painted the rot as carefully as the ripeness and called it enough.
★ 7.3
The Incredulity of St. Thomas
1602 · Sanssouci, Potsdam
Thomas pushes his finger into the wound and two apostles lean in to watch, brows knotted, close enough to crowd the frame.
★ 7.6
Crucifixion of St. Peter
1601 · Basilica of Santa Maria del Popolo, Rome
Three laborers strain to lever the cross upright with Peter nailed to it upside down. No crowd, no glory, just heavy work in the dark.
★ 7.8
The Entombment (Caravaggio)
1603 · Vatican Museums, Rome
The corner of the stone slab juts out of the picture so the body looks about to be laid down in the room with you.
★ 7.8
Supper at Emmaus
1601 · National Gallery, London
One disciple grips his chair to stand and the other throws his arms wide, while a fruit basket teeters off the edge toward us.
★ 8.0
The Conversion of Saint Paul
1601 · Palazzo Odescalchi Balbi, Rome
Caravaggio's first attempt at the subject, turned down by the patron, before he threw out the angels and left one man, one horse and the light.
★ 8.4
Death of the Virgin
1606 · Louvre, Paris
The Virgin lies barefoot and swollen like any corpse. The church that ordered it refused delivery, and Rubens told his duke to buy it.
★ 8.4
Beheading of St. John the Baptist
1608 · Co-Cathedral of St. John, Valletta
The only canvas Caravaggio ever signed, and he signed it in the blood running from the saint's throat, for the knights of Malta.
★ 8.4
The Calling of St. Matthew
1600 · San Luigi dei Francsei, Rome
Light follows Christ's pointing hand across a dim counting-room to Matthew, who gestures at himself in disbelief. The picture made Caravaggio famous overnight.
★ 9.0