
Hercules and Lichas
Hercules, poisoned and raving, grabs the boy by the hair and one leg and throws him. Canova almost never carved anything this violent.

Hercules, poisoned and raving, grabs the boy by the hair and one leg and throws him. Canova almost never carved anything this violent.

Neptune drives his trident down to still the waters. It was made for a fountain, so real water once finished the sculpture.

Only the mouth and chin survive, in honey-yellow jasper, and the break seems to concentrate the thing rather than diminish it.

When Napoleon carried off the Apollo Belvedere, the Vatican put this on the empty pedestal, a modern work judged fit for the company.

You see a sleeping woman until you walk around to the other side. Bernini added the mattress, folds and all, in 1620.

A bicycle saddle and a set of handlebars, joined. Picasso joked that someone might one day turn it back into a bicycle.

Carved for a papal tomb that kept shrinking until it was abandoned. What the bonds mean is still argued, but the strain is unmistakable.

Ugolino bites his own knuckles while his sons starve against his legs, from the passage in Dante where he is tempted to eat them.

Michelangelo carved it for his own tomb, gave Nicodemus his own face, then took a hammer to it and broke off Christ's leg.

Myron's bronze is lost and this is a Roman marble copy, which is why a strut props the leg the original held up unaided.

His eyes are inlaid with rock crystal and copper, and unlike a pharaoh he was given a soft chest and a desk worker's belly.

Cupid's wings stay up as the two bodies cross in a weightless X, cut so smooth the marble stops reading as stone.

The oba wore it at his hip, its crown made of tiny Portuguese heads. A British expedition looted it from Benin in 1897.

The horns come from an old mistranslation of the Hebrew for rays of light. He was meant as one figure among many on a papal tomb.

Four meters of basalt buried after the conquest and dug up in Mexico City in 1790. Despite the nickname it is not a working calendar.

Everything is scraped off the bronze except forward motion. One cast briefly held the record for the most expensive sculpture ever sold.

Eleven centimeters of limestone from beside the Danube, once tinted red, with a woven cap covering the whole head and no face at all.

Bernini put the viewer where Goliath must be standing, so the sling is being wound up to throw straight past your head.

Ghiberti gave twenty-seven years to these doors, and the name comes from Michelangelo, who is supposed to have said they were fit for paradise.

American customs taxed it as industrial metal until Brancusi v. United States in 1928 forced the law to recognize abstract sculpture as art.

A farmer on Melos dug her up in 1820, already armless, and scholars still argue over whether she held an apple, a mirror, or her drapery.

Pliny ranked it above every other work of art, and when it came out of a Roman vineyard in 1506 Michelangelo hurried over to look.

The king kills lions released into an arena to prove he can protect his people, and the dying animals are carved with startling tenderness.

A naked boy in boots and a laurel hat rests one foot on Goliath's head, the first freestanding bronze nude since antiquity.

Bernini was in his mid-twenties when he cut this, catching Daphne at the moment bark closes over her thigh and leaves push from her fingers.

The dead Christ lies across his mother's lap. Michelangelo was twenty-four, and signed the sash after hearing it credited to someone else.

Rodin first made this figure as Dante brooding over the Gates of Hell, then enlarged him and set him thinking alone on a rock.

One eye is inlaid and the other left blank, which suggests the bust was a master model kept in the sculptor's workshop at Amarna.

The goddesses of the east pediment wear drapery so wet it clings. Elgin took the marbles to London in 1801 and Greece wants them back.

Bernini staged the saint's own account of her vision as theater, lit from a window he hid above and watched by marble spectators in boxes.

Duchamp submitted a porcelain urinal signed R. Mutt to an exhibition he was helping to judge, and the committee rejected it.

Thousands of life-size clay soldiers in battle formation, no two faces alike, guarding an emperor's tomb since 210 BC.

The marble block had been abandoned as flawed before Michelangelo took it, and he carved a boy who is watching Goliath, not beating him.

Eleven kilograms of gold inlaid with lapis and carnelian, lifted by Howard Carter from the innermost of three coffins in 1925.

Nike lands on a warship's prow, wings still open, sea wind pressing the marble drapery flat against her striding body.