
The Woods
Sleater-Kinney have no bass player, only two guitars and drums, and here producer Dave Fridmann pushed the levels until everything distorts.

Sleater-Kinney have no bass player, only two guitars and drums, and here producer Dave Fridmann pushed the levels until everything distorts.

Ray Manzarek of the Doors produced it and played the organ, which is why a punk record has that particular keyboard on it.

Someone stole the master tapes for the album they had just finished, so Green Day started over and wrote a punk rock opera instead.

They were openly chasing a hit single and never got one. The harmonies come straight off the girl-group records they grew up on.

Costello recorded it on days off from his job at a cosmetics factory, backed by an American bar band that included Huey Lewis.

Tommy Ramone produced it, and the band got themselves banned from Saturday Night Live after one drunken appearance a few months later.

Costello had been working as a computer operator two years earlier. The sleeve was printed deliberately off-center with the camera and tripod showing.

They called it Let It Be mostly to annoy people. The songs run from a joke about answering machines to Westerberg howling that he is unsatisfied.

Forty-five songs, most under two minutes, and the title is a joke about obeying the speed limit. D. Boon was dead within eighteen months.

Fourteen songs in twenty-nine minutes, recorded for about six thousand dollars. Nothing on it is longer than two and a half minutes.

Sid Vicious barely plays on it, and a record shop was taken to court over the word bollocks and won.

Their producer motivated the sessions by swinging ladders around the studio and pouring wine into the piano. The sleeve copies Elvis's first album.